This has enabled the growth of personal documentaries, such as Morgan Spurlock’s Super Size Me . Documentaries have also benefited from new dissemination opportunities and greater theatrical and festive exposure. The first films were non-fiction films, often referred to as current events, ie moving presentations of people and real events. Other types of non-fiction films, including institutions, representing exotic and foreign places, and themes with current events were also popular during this period. A genre that includes non-fiction films intended to capture a certain aspect of reality, often for the purpose of instruction, education or the development of a historical record.
While there are many different nuances in the given definitions, everyone agrees that documentaries are non-fiction films that display real events as they occur. Many renowned academics, theorists and documentary makers have intervened in the way in which a documentary must be defined. Moreover, gender itself has evolved over time, which has caused even more ambiguity.
In fact, it would be immoral for the real criminal to stab another knife at the actual victim, even though it could be said to be more true or closer to the original event. His goal is to expose a certain cause or injustice in the hope that ดูหนังออนไลน์ชัด his film will help strengthen the masses to demand change. An example could be a documentary about all recent crimes that have occurred. In general, documentaries are longer than news segments or stories and focus more on real life.
Several Soviet filmmakers, such as Dziga Vertov, used the documentary form for more political purposes. Films like Man with a Movie Camera partially conveyed their ideological messages via the formal editing technique. For example, actors are often regarded as belonging to fiction films and not as a real documentary . On the other hand, there are exceptions that we are willing to accept, such as a television documentary that uses professional actors to recreate the crime scene to help us understand how something could have happened.
A documentary is a visual and auditory representation of alleged events, real experiences and real events in the world. Documentaries generally use and emphasize strategies and organizations that are different from those that define narrative cinema. Documentaries are about understanding and learning, expanding what we can know, feel and see. Although narrative films are at the heart of commercial entertainment, documentaries work according to an information economy. While these principles provide an enlightening framework within which ethics in documentary making can be discussed, they also emphasized the extent to which filmmakers control the process, content and publication of their films and the stories about their subjects.
Documentary is one of the three creative basic modes in film, the other two are narrative fiction and the experimental avant-garde. Story fiction we know as feature films that we see in theaters on Friday evening or on our television screens; they grow from literary and theatrical traditions. Experimental or avant-garde films are often short films, shown in associations or series of non-theatrical films on campus and museums; They are generally the work of individual filmmakers and stem from the tradition of the visual arts. An approach to the theory, technique and history of documentary films could be to describe what commonly spoken documentary films have in common and the ways in which they differ from other types of films.
Orson Welles’ Citizen Kane is a form of fictional film commentary, while the Maysles Brothers’ Seller is a form of observational fiction film. Likewise, C’est arrival près de chez vous by Remy Belvaux is an example of an interactive fiction film. At the same time, Bakker accepts that interactive mode is used less often in fiction films, while observation mode is the most commonly used mode.